Social Dominance Attenuation

Towards a New Public Infrastructure

Resource name: 
Towards a New Public Infrastructure — preprint
Resource type: 
Articles

Invitation to Join the Collective Intelligence for the Common Good Community / Network

Invitation to join the Collective Intelligence for the Common Good Community / Network

We would like to invite you to participate in a new research and action community network that focuses on Collective Intelligence for the Common Good. We hope that our collaborative efforts will help address our shared challenges.

Project Goals: 
Develop collaborative tools, policies, etc. — and links between them — that have a positive influence in addressing local and global challenges.

Riseup

Organization's slogan: 
Riseup provides online communication tools for people and groups working on liberatory social change. We are a project to create democratic alternatives and practice self-determination by controlling our own secure means of communications.
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Organizational engagement: 
Active
Organization's geographic focus: 
world

Street Music

Douglas Schuler
The Public Sphere Project
Celebration of Public Music
Version: 
1
Problem: 

(note that the Problem Statement is still in work.....)

Music, including singing as well as the playing of instruments, has been a key element of the human condition for millennia. Unfortunately -- at least in the United States -- music has become more of a commodity, to be enjoyed passively and non-interactively. 

The rise of mass media is probably at least one of the culprits. 

Context: 

(note that the Context Statement is still in work.....)

Discussion: 

(note that the Discussion is still in work.....)

Street Music blurs the distinction between producer and consumer of music as well as the distinction between formal and informal venues for music production and consumption. 

Although street bands, including many of those found at Honk Fests, can be found at protests (including the Infernal Noise Machine (image below) that supported the demonstrations against the World Trade Organization in Seattle in 1999), their actions are often political to a large degree by virtue of their publicness in an era of electronic or other formalized or mediated forms of music consumption. 

See http://www.youtube.com/watch?v=i-MLvzLlou4 for Environmental Encroachment's performance of Hashia.

 

Thanks to a member of the Bucharest Drinking Team and to Bob of Environmental Encroachment for their thoughts on the current breed of "new street bands" including their history and motivation. 

Solution: 

 

Solution in work:

something about establishing and supporting street music. More and more and more of it....

Categories: 
orientation
Categories: 
engagement
Categories: 
social
Categories: 
products
Themes: 
Social Critique
Themes: 
Community Action
Themes: 
Social Movement
Themes: 
Media Critique
Information about introductory graphic: 
Photo of Church, a marching band from Santa Rosa, California. Shot by Douglas Schuler, June 1, 2012. Georgetown (Seattle, WA)
Information about summary graphic: 

Infernal Noise Machine, Seattle Washington

The Long Walk for Justice by George Lakey

"What do Native Americans, Costa Ricans, Thai villagers, Hispanic students in U.S. colleges, Indian independence activists and Maasai women have in common? They’ve all organized long marches as part of campaigns for justice. Their campaigns’ very different choices about how to use the tactic raises strategic questions for us today. In some campaigns the long march was used primarily to heighten awareness, while in others it was to gain new allies. Sometimes it was used to launch other kinds of direct action.

url: 
http://www.nationofchange.org/long-walk-justice-1333295330
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